Edited on 4/11 @ 12:10pm because of a missing “c.”
Clockwork Angels came out in 2012, the same year of the American election. It was Barack Obama vs. Mitt Romney and personally, the stakes never felt higher. Even in retrospect, post Trump, this election was consequential in an exceptional way. Our first American president of African descent, our first multiracial president and our first potential two term Democratic president since Clinton.
I argue that Obama’s legacy was more at stake then than it is now. A two term president can ostensibly claim a real mandate, where a one term president’s legacy can be easily erased if the opposing party comes into power four years in.
But I digress….
The Anarchist felt like the soundtrack of the apocalypse to me then. There was so much uncertainty about the future, so much building anger and resentment from a segment of the population who had a tremendous run and now was being eclipsed by number and power, by browner and more estrogen rich carbon based bipeds.
The wont to blow up the world and everything in it, the desire and the seething anger behind it to destroy everything associated with the other while simultaneously blowing up what benefits you resonated strongly. The texture of the song, the choral progression to a droning finale, doom turned to music.
First song, for the first day: The Anarchist, by Rush.